Now that your semester is done and grades are in, no doubt you are itching to get back to work! I wanted to post a few titles up here to offer you some ideas about summer reading. Like -- I assume -- many of you, I am excited as all hell about the last Harry Potter book coming out in July. However, for those of you who might not be spending the summer rereading the last three Harry Potter novels, here are some suggestions.
A list of literary antecedents
Did you find yourself baffled by the allusions in the texts we read this summer? A goodly number of textual and structural allusions in English-language can be traced back to significant foundational texts from the European tradition. Here is my list of texts that I see coming up again and again, organized from most frequent to least:
- The Odyssey, Homer (I hear the Fagles translation is quite good; I was raised on the Fitzgerald)
- The Divine Comedy, Dante (Really you just need Inferno and the first bit of Purgatorio... I read the Sinclair prose translation, but I hear that Ciardi verse translation is better in every way)
- The Metamorphoses, Ovid
- The Iliad, Homer (I read Lattimore, although there are a million newer and trendier translations)
- Oedipus Tyrannos, Sophocles (Lattimore & Green was the conventional translation for this and all Greek tragedies when I was in school)
- The poetry of Horace
- Agamemnon, Aeschylus
- Don Quixote, Cervantes
- The poetry of Catullus
- The Aeneid, Virgil (I hesitate to even put this here -- a very persuasive argument was made in the Harper's review of Fagles's new translation that The Aeneid is scarcely worth reading; still, it's one of those books we're supposed to list as being a significant foundation for Anglophone letters)
This list is geared towards readers of twentieth-century literature. In any other context, and possibly even in this context, the Bible should be at the top of this list -- not until the most recent generations have we seen writers coming into their profession with only the scarcest knowledge of the Bible.
A list of literary analogues
If reading translated texts from a couple thousand years ago doesn't sound like quite your thing, how about some recommendations of somewhat more contemporary texts? This list is organized as a sequence of analogues tied to texts we read in class this semester. Because I'm not a verse reader, I will be sticking with prose.
- If you liked Middlemarch, you are a little bit out of luck, what with having already read the greatest novel in the English language. However, you might read in the work of Eliot's greatest admirers echoes of Middlemarch's thematic and structural qualities. I particularly recommend Henry James's The Portrait of a Lady as a late nineteenth-century gripping social drama -- like Eliot, James is concerned with social and psychological phenomena, and so, like Middlemarch, Portrait is a bit light on plot. Virginia Woolf revisited questions of relations and relationality in The Years -- one of the few books she felt genuinely satisfied about, and one that I have been longing to reread for quite a while.
- If you liked The Strange Case of Dr. Jekyll and Mr. Hyde, you might really enjoy Wilkie Collins's The Moonstone (often called the first detective novel) and The Woman in White. Most of Arthur Conan Doyle's Sherlock Holmes stories have a Stevensonesque feel to them, particularly The Hound of the Baskervilles. Although Stevenson has been largely ignored by the academy, I have been told by more than one reliable source that his other works are just an enormous pleasure to read.
- If you liked To the Lighthouse, then Mrs Dalloway is a must-read. If you've read them both, try Jacob's Room. If you haven't read A Room of One's Own then that is worth sitting down with for an hour or two -- it's a short literary essay, and Woolf's most enduring literary legacy. The other famous and successful Bloomsbury writer is E. M. Forster, who wrote several excellent novels, particularly Room With a View, Howards End (my favorite), and A Passage to India. Woolf was also, in some ways, Henry James's literary heir, so James's fiction (mentioned above) might be a good place to turn. Woolf also had an interesting literary relationship with Marcel Proust, whose work helped shape the style of her later novels. There is a wonderful new translation of the first volume of Proust's enormous A la recherche du temps perdu, called Swann's Way, by Lydia Davis.
- If you liked Endgame, you're in luck: Beckett wrote several plays and novels with the same twisted sort of nihilistic humor. I particularly recommend Malloy, a strange, short pseudo-novel that includes some of the funniest scenes in any twentieth-century fiction.
- If you liked Arcadia, you will probably like Stoppard's even more popular Rosencrantz and Guildenstern Are Dead. (There's an amusing movie of it as well.)
- If you liked Disgrace -- and according to my statistics most of you did -- then you will almost certainly like Ian McEwan's Atonement. His subject matter is not exactly the same -- although there is sex, rape, and violence -- but the precision of his prose style is quite similar to Coetzee's. I have also heard good things about Coetzee's Foe, and his Waiting for the Barbarians is frequently cited as his most significant work.
The Shapiro syllabus
Here, because I have a blog and the inclination to indulge myself, are some books I really wish everybody would read. I don't make any special claim about them other than that they are fun and enormously satisfying reads.
- Special Topics in Calamity Physics, by Marisha Pessl, starts off sounding like a slightly more interesting than usual coming-of-age novel, but then about 300 pages in it becomes a murder mystery, and then another 150 pages in it becomes a meditation about literature and life. Even if this sounds boring, it isn't.
- Some more contemporary lit: Zadie Smith's White Teeth is stunning and hilarious -- it is basically a novel about the madness of polyphony. Try also Jonathan Safran Foer's Everything is Illuminated. These young authors -- JSF is barely 30 -- are throwing a wrench into earlier literary mechanisms by which pious authors try to make the whole world feel sacred. Smith and Foer and others are taking problems that are supposed to be solved and showing us that solutions are unnecessary and uninteresting.
- Midnight's Children, by Salman Rushdie. Rushdie might be the most interesting living writer in English -- if I had to guess whose books students will be reading in 200 years, I would guess Rushdie (and Toni Morrison). Midnight's Children might be a difficult book -- I didn't think so, but I've heard this complaint about it -- but it is also the book with the most interesting narrator and the most satisfyingly serpentine plot. If you would prefer a slightly more conventionally-plotted story that focuses on the history and effect of popular music, The Ground Beneath Her Feet is a pretty good one.
- You have to be a certain kind of person to love it, but Henry James's The Ambassadors ranks with Middlemarch as one of the great atmospheric novels of the English language. Ambassadors is really made for the sort of reader who likes to sit down and read for two hours and get through only 30 or 40 pages: it is a book that requires rumination, and that will eventually shift the way you see the world. It is an utter masterpiece.
- As long as I'm going on about utter masterpieces, Moby-Dick is not read nearly often enough. It's silly and strange and all sorts of brilliant, and although it's long it's also the kind of book you can read one chapter a night for four or five months.
- Finally, if you're just itching for Deathly Hallows and you want some magnificent YA lit to read, try Philip Pullman's His Dark Materials trilogy (first novel: The Golden Compass). I usually try to give an ideological caveat before recommending it -- the last novel of the trilogy is strikingly anti-church -- but the story is so wonderful and the moral language of the novels so articulate that even readers who are deeply invested in church life probably won't feel offended by Pullman's take on Catholicism and Episcopalianism.